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Studio production course

A studio is only as good as its workflow.

spotzenivo is a hands-on course in studio production in motion: equipment setup, dynamic camera operation, lighting, sound waves and the smooth, high-quality workflows behind television news and live shows.

  • No payment needed to enquire
  • Small cohorts on a live studio floor
Broadcast studio camera on a pedestal under warm studio lights
On the studio floor

Gallery live. Floor under control.

Television news studio floor with lighting grid and cameras

Rehearse the entire chain

From the first cable to the final fade, trainees work through camera, lighting, sound and gallery cues together, exactly as a newsroom or live entertainment crew would on transmission day.

  • Multi-camera
  • Live gallery

Upcoming intakes

Choose a programme, tell us your preferred dates and we will confirm availability for the next cohort. Group bookings for production teams are welcome.

  • Studio Equipment Setup Intensive

    Three days, weekday daytime

    £720

    Enquire
  • Dynamic Camera Operation

    Five days, block week

    £1,150

    Enquire
  • Lighting and Sound Waves Lab

    Four days, weekday evenings

    £940

    Enquire
  • News Gallery Workflow

    Three days, weekend intensive

    £820

    Enquire
  • Live Show Crew Residency

    Two weeks, full time

    £2,100

    Enquire

What you will master

Everything a live studio demands

Every skill is taught on real equipment, in real time, with instructors who have worked in newsrooms and live entertainment studios.

  • 1

    Measure your signal

    Check levels, sync and colour across every camera and microphone before the red light goes on.

  • 2

    Shape the light

    Build key, fill and backlight setups that flatter presenters and suit the set.

  • 3

    Move with the shot

    Operate pedestal, dolly and handheld cameras smoothly while following live direction.

  • 4

    Ride the sound waves

    Position microphones, balance mixes and keep dialogue clean under studio conditions.

  • 5

    Run the gallery

    Follow rundowns, call cues and switch sources with confidence in a news or live setting.

  • 6

    Keep it smooth

    Create repeatable checklists and handovers that keep every transmission calm and on time.

  • Great cameras, steady hands, superpower framing!

    Camera craft

    Practise pedestal moves, dolly tracks and handheld work until smooth framing becomes second nature.

  • Always lit, always flattering. Light the set right.

    Lighting design

    Understand colour temperature, diffusion and balance so news sets and entertainment stages look their best.

  • Crisp dialogue, clean waves. Sound that carries.

    Sound waves

    Learn microphone placement, gain staging and monitoring to keep every voice clear on transmission.

  • One team, one rundown, one calm gallery.

    Workflow

    Master the handovers and checklists that turn a busy studio into a smooth, repeatable operation.

  • Email

    Questions about intakes, pricing or group bookings

    [email protected]
  • Phone

    Speak to our admissions team about the next cohort

    0300 111 4123
  • Studio

    Visit by appointment to see the studio floor

    Fawley House, 2 Regatta Place, Marlow Road, Bourne End, Buckinghamshire SL8 5TD

The difference is clear.

Smiling woman in a sweater holding a tablet in a studio

Most courses talk about studios. We train inside one, with working cameras, a real lighting grid and a full gallery, so every skill is practised under the same pressure as transmission day.

Hands-on from day one

Trainees rig, light and operate on the first morning, with an instructor beside them throughout.

Broadcast-ready habits

Checklists, talkback discipline and calm handovers that employers expect from a studio crew.

Workflow

Keep every cue, cable and camera on track.

  • Rundowns that work

    Read, annotate and follow a running order so the whole crew knows what comes next.

  • Timing under pressure

    Count in, count out and recover calmly when a live item overruns or drops.

Desk with headset and running order notes in a studio gallery

Grow fast, with us

Trainees leave with a portfolio of live studio work and the confidence to step onto a news or entertainment floor from their first shift.

  • 98%

    Average satisfaction rate

    Reported by past cohorts across camera, lighting, sound and gallery programmes.

  • 40+

    Hours on a live studio floor

    Hands-on practice in every full programme, with an instructor beside you throughout.